Archive for July, 2015

Creative Class Selfie

July 10, 2015

Air cartoon: Mr. and Mrs. Rhino taking a selfie with a selfie stick, one that their grandchildren that will not be will never see.

In the mail the other day came the Yale Literature Catalog of publications. There, on the second to the last page under the heading of general interest “new”, was a book we all have been anticipating, needing to see in print. “Culture Crash: the killing of the creative class” by Scott Timberg recounts “A near perfect storm of change has put countless artists, writers, dancers, and musicians out of work.” For Timberg the creative class is not just the professionals – the architects, musicians, graphic designers, photographers, writers, moviemakers, etc. – but also the demos of de facto curators and savants who owned and clerked bookstores, record shops, print media, etc. Timberg finds culture to be created by “the creative class’ which includes everyone associated in any way with art related endeavors – no matter at what phase of its production/reception. He writes “The arts – and indeed narrative of all kinds – can capture a time, a place, and a culture, and reflect something of the inner and outer lives of its people. “But the tale of our times,” Jaime O’Neill wrote in his piece on the silence of the new depression, “is mostly being told by our unwillingness to tell it.” (pg. 22) Timberg introduces O’Neill’s piece on pg. 17 with “Many of us, said Jaime O’Neill, a writer in northern California, are living in a depression. “It’s hard to make the word stick, however, because we haven’t developed the iconography yet.” He wrote in an essay that asked, “Where’s today’s Dorothea Lange?””

But it’s no surprise Dorothea Lange is not to be found. If you argue, as Timberg does, that the perfect storm of technology, corporate capitalism, and an economy of deliberate income inequality is driving the creative class to extinction, then Dorothea Lange also will be located on the endangered species list and just might not be around to create the needed iconography. And for whom?