SpongeBob And The Angels

The reports out of AP and others is that Spring Grove Cemetery in Cincinnati has evicted a monument of SpongeBob SquarePants after originally admitting it, claiming it to be inappropriate. The legal argument (of course) pivots on a cemetery being like a condominium, though anyone who has visited one will attest that no one is living there – the cemetery, that is. Now the grieving are really aggrieved. Monuments are forever. No peace to be found in Spring Grove until this enduring dilemma is resolved.

In a 6-16-13 post entitled Punctum, All Of The Noose That Is Knot considered Eric S. Jenkins’ insights on a Barthesian Punctum within animation. Setting aside Barthes’ obvious corollary of mortality applicable to Spring Grove, what Jenkins had to say on a different matter creates some genuinely eternal concerns. “The punctum of animation, although likewise a punctum of “Time,” is about life rather than death… Jones [famed Warner Brothers animator Chuck Jones] might depict the character moving and expressing, but Bugs lives beyond the drawings. This child expresses animation’s punctum, sensing as alive that which exists only as image.” (Critical Inquiry Vol. 39 No. 3 pg. 585) This last line likewise could be used to describe an angel, of which there are probably a considerable number adorning monuments throughout most cemeteries. The Walkers, whose daughter Kimberly the monument is meant to commemorate, now may have recourse on aesthetic and cultural grounds. “Animation, animated subjects do not exist, have never been, share our world and experience only through the image, nothing more.” (this blog’s 6-16-13 post, Punctum). As much could be said for angels, though many, like the child recounted by Chuck Jones, actually see and believe in their actuality. This brings up an even gnarlier quagmire than the often related joke about Catholics in heaven (will anyone of another faith be there?). If our cemeteries are “populated” by what comprises our democracy (though strictly prohibited from being able to cast a vote by our boards of election), who determines the aesthetic, cultural appropriateness of commemorations to be found there?

Spring Grove's Eternal SpongeBob

Spring Grove’s Eternal SpongeBob

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